Steve Forbert
Samuel Stephen Forbert is an American pop/folk singer-songwriter. His 1979 song "Romeo's Tune" reached No. 11 on the U.S. Billboard Hot 100 and No. 13 on the Billboard Adult Contemporary chart. It also spent two weeks at No. 8 in Canada. Forbert's first four albums all charted on the Billboard 200 chart, with Jackrabbit Slim certified gold in Canada. In 2004, his Any Old Time album was nominated for a Grammy Award in the Best Traditional Folk category. Forbert has released 21 studio and 3 live albums.
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Please Note: All Sales Final. Two Item Minimum Per Attendee, "rdquo" -> An introspective, homespun philosopher" - New York Times Steve Forbert is a true American musical treasure, underscored by the new album, Daylight Savings Time. Like all his albums, it's saturated with what venerated rock journalist Robert Christgau discerned as his "omnivorously observant" songwriting, marked by Steve's gift for finding the more profound meaning and magic within everyday moments, as well as his abundant melodic and poetic enchantment "Like Warren Zevon, Gram Parsons, Bob Dylan, Tom Petty, and Bruce Springsteen, Steve Forbert has left his unmistakable imprint on the landscape of American music," says American Songwriter.
As with other esteemed creative souls, his work is marked by his own distinctive qualities, and he speaks genuinely to his listeners. As Forbert approaches the milestone of his 70th birthday, Daylight Savings Time contemplates and celebrates the proverbial 'extra hour of daylight' that comes with the time change. " Daylight Savings Time is Forbert's third album helmed by producer/engineer Steve Greenwell.
) Gurf Morlix, whose guitar and production gifts were elemental in launching Lucinda Williams into the spotlight, tracked his note-perfect six-string contributions at his home studio just outside Austin, Texas. When Steve arrived in New York City from his Meridian, Mississippi hometown in 1976, his aim was establishing a lifetime of creating, performing, and recording the songs he'd started writing at age 17 after cutting his teeth as a teen in local rock bands. He slotted seamlessly into the "new folk" revival in such Manhattan clubs as Folk City, The Bitter End, and Kenny's Castaways, yet at the same time took the stage at CBGB, ground zero of the burgeoning punk/new wave movement.
He also busked on the streets of Greenwich Village and in the elegant confines of Grand Central Station. Forbert chose his solo approach of voice, acoustic guitar, and harmonica, accented by foot stomps, to best approximate the melodic fullness and drive of a band. It inevitably caused him to be tagged as one of the numerous "new Dylans" that emerged in the 1970s.
"Evoking the young Dylan has become a cliché for artists of this sort," observed The New York Times, "but, in this case, Mr. " However, Steve focused on refining his singular musical voice and personality.